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	<description>Art · Screenplays · Film · Thoughts</description>
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		<title>Pencil and Pen &amp; Ink Illustrations</title>
		<link>http://www.meltoncartes.com/2010/02/pencil-and-pen-ink-illustrations/</link>
		<comments>http://www.meltoncartes.com/2010/02/pencil-and-pen-ink-illustrations/#comments</comments>
		<pubDate>Fri, 19 Feb 2010 06:52:09 +0000</pubDate>
		<dc:creator>Melton Cartes</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Illustration]]></category>

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		<description><![CDATA[This is a small gallery of old and new work, in pencil and in pen &#38; ink.
]]></description>
			<content:encoded><![CDATA[<p>This is a small gallery of old and new work, in pencil and in pen &amp; ink.</p>
<p>
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</p>
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		<title>Whose Job is the Hijab?</title>
		<link>http://www.meltoncartes.com/2009/12/whose-job-is-the-hijab/</link>
		<comments>http://www.meltoncartes.com/2009/12/whose-job-is-the-hijab/#comments</comments>
		<pubDate>Sat, 19 Dec 2009 07:37:38 +0000</pubDate>
		<dc:creator>Melton Cartes</dc:creator>
				<category><![CDATA[Thoughts]]></category>

		<guid isPermaLink="false">http://www.meltoncartes.com/?p=885</guid>
		<description><![CDATA[This is an essay I wrote for my College English class.
A young attractive woman walks down a big city street. The next block hosts a construction site, a new office building investors are pinning their hopes on. Men between the ages of 18 and 58 work on this site, carrying out the stereotypical spectacle of [...]]]></description>
			<content:encoded><![CDATA[<p><em>This is an essay I wrote for my College English class.</em></p>
<p>A young attractive woman walks down a big city street. The next block hosts a construction site, a new office building investors are pinning their hopes on. Men between the ages of 18 and 58 work on this site, carrying out the stereotypical spectacle of lots of workers but seemingly little work getting done, with not a few of them apparently standing around, talking. The truth is that their work was largely done by the time most people are getting to work. So, as this young woman passes by, it happens to be their lunch hour and they’re sitting and eating while spectating the wide variety of femininity that promenades by their site. <span id="more-885"></span>Cheers, jeers and sneers accost many young and sexy women who dare to pass by this block. But this particular woman is different and the most that these men will say to her is “ ‘I like your skirt’ or ‘Girl, I would marry you!’” According to author Maysan Haydar, the reason these typical construction workers behave atypically is because she wears a Hijab, a Muslim headscarf.</p>
<p>Haydar, a young American Muslim woman, describes this everyday event in her essay entitled “Veiled Intentions: Don’t’ Judge a Muslim Girl by Her Cover,” to show how the practice of wearing a headscarf to signify the type of modesty which is called for of a woman by the Islamic faith is a good thing and not the coercive, oppressive practice some believe it to be. The practice is called the Hijab. However, her argument ceases to be a validation of a personal religious choice and becomes weak logic when she extends her argument to say that the practice is good because it helped her avoid negative interactions with men and made it possible to be respected as a person, and not just a woman. Her argument becomes a pernicious variation of the “blame the victim” mentality that permeates American culture, particularly as seen in so many rape cases.</p>
<p>In present-day America there are many conflicting thoughts about morality, sexuality, personal freedom and the various religious beliefs that exist in our country and around the world. It is difficult and volatile to criticize religious beliefs and practices, particularly doing so here in the United States which, despite it’s nondenominational origins designed to protect and promote all religious beliefs, is currently considered a Christian country, whatever that means. Religious commentary or critique therefore is heard as inherently biased in favor of Christianity. That is neither my intention nor my inclination. I believe Christianity has many abhorrent beliefs and practices, but that is for another time. In short, “organized religions,” particularly those of the Abrahamic variety—which means Judaism, Christianity and Islam—, are patriarchal and strictly dogmatic expressions of them frequently espouse practices that severely limit women; which begs the question: are they glorifying God or just empowering men over women? Critiquing Islam can therefore be seen as politically motivated, but that is not the case in this essay. The intention of this essay is to show that Haydar is misplacing the onus in this issue.</p>
<p>Haydar describes her own personal experiences with wearing the Hijab and how it helped her while growing up to avoid the “self-loathing, body hang-ups and sexual harassment” that seems to be commonplace for women in modern culture. In her haste to own and reconcile her religious observance with her own feminism, Haydar is ignoring the most fundamental flaw in the notion of a woman altering her appearance to get by in life or society. <span style="text-decoration: underline;">Placing the responsibility on women to adjust their behavior and their appearance so as to not distract men with their physicality, avoid their depredations and therefore be taken seriously for their inherent, deeper-than-skin value is simply a subtle form of blaming the victim.</span></p>
<p>Archconservative Christian David Kupelian in his condescending essay, “Killer Culture,” makes a similar logical mistake in proposing a solution to one of our cultural problems while clearly believing that we as humans are fundamentally imperfect and incapable of knowing better without the Godly guidance of someone like him to lead us. The tone of his essay is clearly belittling as he positions anything that isn’t Judeo-Christian in origin, form or belief as something from “Sodom and Gomorrah, and other perverse societies.” In his bias there are no humans who can successfully make their own decisions because if they try, they’re only trying to be “their own gods and make up their own rules.” Kupelian doesn’t seem to realize that since all cultures reuse the same motifs throughout all of their religions, including Christianity and the Bible, that proves that humans created these manifestations of god, one of which he believes is the only pre-existing unique eternal entity. In her advocacy of the Hijab, Haydar’s mistake is less perhaps egregious (or is it?) but similarly faulty in placing too much of the responsibility of physical safety on women.</p>
<p>Haydar appreciates the “saving grace” that her headscarf is and attributes to it the ability to be seen as “a whole person instead of a twenty-piece chicken dinner.” Who are these men she’s dealing with? She seems to be clever enough to parse subtleties. But in making such statements she seems to disregard that, despite prevailing attitudes, all men may not be looking at her because of her crispy fried exterior and instead may be looking at her from a more sincere and authentic motivation. Instead, it seems that her world is made up of men who are little more than testosterone-fueled knuckle draggers. I admit that there’s a surplus of knuckle draggers. But assuming that all men are such is simplistic and a mistake. Even misguided men are more than the sum of their behavior and when enlightened as to the impact of their worst actions can evolve and transcend their cultural upbringings. This is not to say that it is her duty to be the only one to change the way whole generations of men treat women. It’s just that her claim that the hijab is good goes too far.</p>
<p>In describing her progressive and enlightened upbringing, thanks to her parents, Haydar cites the Quranic verse that says, “Let there be no compulsion in religion.” She cites this to make the point that wearing the Hijab out of a sense of obligation is not what she is doing nor is it what is asked for by her religion. She claims that her practice is not only voluntary but an enthusiastic choice on her part. But Moroccan sociologist Fátima Mernissi, in her book “The Veil and the Male Elite: A Feminist Interpretation of Women’s Rights in Islam,” points out how the real intentions of the <em>hadiths</em>, or rules set by the prophet Muhammad, were frequently compromised by the political and military situation at the time. The prevailing attitude in Medina toward women was that men could rape them in the streets if they felt so inclined. Umar, a military leader and chief adviser to Muhammad, was the one who sought to institute the hijab to distinguish free women, who were protected by law, from slave women, who could be used as prostitutes. Mernissi claims that for a religion that prides itself on valuing intellect the hijab represents the opposite. “In the logic of the <em>hijab</em>, the law of tribal violence replaces the intellect of the believer, which the Muslim God affirms is indispensable for distinguishing good from evil…The hijab reintroduced the idea that the street was under the control of the <em>sufaha</em>, those who did not restrain their desires and who needed a tribal chieftain to keep them under control.” Muhammad felt that it was self-control that should have protected everyone, not just women and not just slaves, from violence.</p>
<p>According to the U.S. State Department’s November 17, 2001 report on Afghanistan, “The Taliban&#8217;s War Against Women,” this sort of tribal law has been taken further. “The Taliban ended, for all practical purposes, education for girls. Since 1998, girls over the age of eight have been prohibited from attending school…Under Taliban rule…in most hospitals, male physicians could only examine a female patient if she were fully clothed, ruling out the possibility of meaningful diagnosis and treatment.” How can an Afghani woman find a woman doctor if that woman’s education ended at the age of eight?</p>
<p>Haydar claims that the notion that Muslim women covering themselves either with headscarves or full-body burqahs does not mean that Muslim women do not appreciate or value their bodies, their physical beauty or their sexuality. Instead, she explains that their physical beauty is so valued by Muslim teachings that it is reserved for intimate relationships such as between “husband and wife, mother and baby, among women” or with one’s doctor. Clearly this is arguable. Haydar takes pains to point out that she is a modern woman, not only a feminist who has multiple cleverly disguised piercings but also a woman married to a Christmas-observing Catholic. But this seems to be beside the point when compared to the basic fact that it is the woman who is being required to change her behavior rather than wrong or misguided men or even society. If modesty or piety were truly the intent, then why is it that men are not also required some forms of covering? As for the purpose of the Hijab, if women don’t wear it, they risk suffering violence and rape, if they do wear it, they still risk violence and even rape.</p>
<p>Societies around the world are unfair and in some cases openly hostile to women. In her essay, “ ‘Two Ways a Woman Can Get Hurt’: Advertising and Violence,” Jeanne Kilbourne states “that all girls growing up in this culture are sexually abused—abused by the pornographic images of female sexuality that surround them from birth, abused by all the violence against women and girls, and abused by the constant harassment and threat of violence.” If we accept this notion for a moment, which is not difficult to accept, then it must be clear that any defensive tactic that calls for women to protect themselves against this sort of toxic environment is wise in the short-term but cannot be considered sound in the long-term. In his review of the film “The Accused” about a woman’s experience of struggling to get the judicial system to prosecute the men responsible for gang-raping her in a bar, movie critic Roger Ebert said, “for some men, the movie will reveal a truth that most women already know. It is that verbal sexual harassment, whether crudely in a saloon back room or subtly in an everyday situation, is a form of violence—one that leaves no visible marks but can make its victims feel unable to move freely and casually in society. It is a form of imprisonment.”</p>
<p>Changing a society does not happen overnight. The civil rights struggle in this country is not over and won’t be over until whole groups of people who currently are institutionally described as “disadvantaged” cease to be (or described that way). Likewise, sexual mores and respect between the sexes and individuals is something that is slowly changing and not necessarily in a continuously clear or positive direction. Brittany Spears sadly is more of an icon of the over-sexualization of youth rather than a musical sensation. The notion of “fucking like a porn star” has become the standard used by some young people to measure the success of their relationships. So, getting “men,” to use a generalization, to respect women universally and for the sole reason that it’s the right thing to do, rather than as a ploy to ingratiate themselves with women as sexual conquests or as an inauthentic behavior to avoid getting in trouble, is asking for a lot and unrealistic in the short term. However, that unlikelihood should not keep us from placing the responsibility firmly where it belongs and striving to make these changes nonetheless.</p>
<p>While most people agree that one’s relationship with one’s god is a personal matter, few truly live by that creed. Devoutly religious people tend to see their relationship with god as having less to do with them and more to do with their deity. It’s almost as if they don’t really have a say in the matter, only God does. It’s frequently easier to find ready acceptance of this concept when people are observing someone else’s religious practice: “<em>They</em> have a personal relationship with <em>their</em> god.” But it’s still universally true, particularly if you believe the literal readings of the various texts; it is the individual person who will be standing in judgment on that fateful day. So, if someone chooses to behave a certain way that their religion asks for, they should be free to do so. But to claim that it is a good practice because it helps women avoid the negative experiences they otherwise would have to live through is a specious argument. So then, how do we improve on hostile male attitudes and behaviors? Accurately placing blame and creating real accountability are the first steps. And as for those construction workers cheering, jeering and sneering, they should be told to “grow the fuck up.”</p>
<p>Works Cited</p>
<p>“The Taliban&#8217;s War Against Women.” <span style="text-decoration: underline;">Report on the Taliban&#8217;s War Against</span>. Washington D.C.: Bureau of Democracy, Human Rights and Labor. <a href="http://www.state.gov/g/drl/rls/6185.htm">http://www.state.gov/g/drl/rls/6185.htm</a>. Web. 17 December 2009.</p>
<p>Ebert, Roger. “The Accused.” Rev. of <span style="text-decoration: underline;">The Accused</span>, dir. Jonathan Kaplan. <span style="text-decoration: underline;">Rogerebert.com.</span> Sun-Times News Group, October 14, 1988. <a href="http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19881014/REVIEWS/810140301/1023">http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19881014/REVIEWS/810140301/1023</a>. Web. 17 December 2009.</p>
<p>Kilbourne, Jeanne “Two Ways a Woman Can Get Hurt’: Advertising and Violence,” <span style="text-decoration: underline;">Rereading America</span>. Gary Colombo, Robert Cullen, Bonnie Lisle. Boston: Bedford Books/St. Martin&#8217;s Press 2007.</p>
<p>Kupelian, David. “Killer Culture.” <span style="text-decoration: underline;">Rereading America</span>. Gary Colombo, Robert Cullen, Bonnie Lisle, Boston. Boston: Bedford Books/St. Martin&#8217;s Press 2007.</p>
<p>Mernissi, Fátima. “The Veil and the Male Elite: A Feminist Interpretation of Women’s Rights in Islam.” Mary Jo Lakeland. Basic Books, 1991. Web. 17 December 2009.</p>
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		<title>Whose States’ Rights are Right?</title>
		<link>http://www.meltoncartes.com/2009/12/whose-states%e2%80%99-rights-are-right/</link>
		<comments>http://www.meltoncartes.com/2009/12/whose-states%e2%80%99-rights-are-right/#comments</comments>
		<pubDate>Fri, 11 Dec 2009 07:40:53 +0000</pubDate>
		<dc:creator>Melton Cartes</dc:creator>
				<category><![CDATA[Thoughts]]></category>

		<guid isPermaLink="false">http://www.meltoncartes.com/?p=887</guid>
		<description><![CDATA[This is an essay I wrote for my College English class.
Not only is the Civil War not over, it may not have been won by the North. If you look at Germany, Japan and to a lesser extent Italy, countries that the United States as part of the Allied Forces fought in WWII, today we [...]]]></description>
			<content:encoded><![CDATA[<p><em>This is an essay I wrote for my College English class.</em></p>
<p>Not only is the Civil War not over, it may not have been won by the North. If you look at Germany, Japan and to a lesser extent Italy, countries that the United States as part of the Allied Forces fought in WWII, today we see no lingering public resentments on the national level from that gruesome and tragic war that involved so many people and cost so many lives (notwithstanding any individual or personal grievances).<span id="more-887"></span> There are indeed many monuments and testaments in Europe and Asia to what happened in the 1940s. But those societies hold no forlorn hope for what might have been if the Nazi regime, Japanese military or Italian fascists had won. Yes, there are pockets of Neo-Nazis, for example. But, as an exception to the rule, those groups prove the point and operate outside of the law of the modern societies of these nations. Consequently, you will not see tiny Nazi flags incorporated into the local government flags or seals anywhere in Germany, Bavaria, Austria, Hungary, Poland or France, etc. While some recent political leaders have been clearly fascist in their leanings and rhetoric, nothing like the blind support given the Nazi regime and its objectives is in evidence today. It’s safe to say that the former Axis nations have severed the ties to their tragic histories and have strived to move forward and redefine themselves as peaceful contributors to the modern world’s development.</p>
<p>And yet, in the United States of America, we have nine states that have representations of the “Stars and Bars” in their official flags or seals and countless other appearances on license plates and other state- and privately-generated merchandise. Otherwise known as the Confederate flag, the Stars and Bars represented the group of southern states that seceded from the Union, the North, and waged the Civil War that took place between 1861 and 1865. Like any flag, the Stars and Bars represents many things. Most importantly, it represents the core values for which the Confederacy stood.</p>
<p>On face value, the Confederacy and its secessionist movement stood for the most democratic of principles, the right of a people to govern themselves as they see fit. As Jefferson Davis, the Confederacy’s only president, repeatedly said, “All we ask is to be let alone.” However, the economic and social motivations of the Confederacy were not so altruistic or for the greater good as they pretended. For years the South had benefited from a cotton-based economy that paid nothing for its enslaved workforce and so had an unfair economic advantage in the marketplace. Its wealthy plantation owners certainly did not <em>share the wealth</em> with the poor farmers and laborers, the majority of white southerners who did most of the fighting and dying in the war. Instead, the social structure of the South was just a facsimile of the English aristocratic system that segregated nobles from commoners, royalty from peasantry, that went further int an apartheid system. The American colonists literally fought the British to escape that caste system and its inherent oppressions. Yet eighty-five years later, southerners were struggling to keep that discriminatory concept alive, even though abolition was not a movement promoted by a small minority of voters and politicians and even England had abolished slavery all the way back in 1772. The <em>southern gentleman</em> and the <em>southern belle</em> were barely related to their poor white fellow citizens, so their unity was very limited in scope. The desire to be “let alone” was less a desire for sovereignty and more a desire to avoid accountability. The distinction may be subtle, but it’s critical. Their cause was not the democratic ideal they would have us believe.</p>
<p>If the embedding of class stratification in this country is not clear, consider what professor Diana Kendall points out in her essay on how popular media shapes the way Americans view class distinctions, “Framing Class, Vicarious Living, and Conspicuous Consumption.”  “Media executives do not particularly care if the general public criticizes the <em>content </em>of popular culture as long as audiences do not begin to question the superstructure of media ownership and the benefits these corporations derive from corporate-friendly public policies,” (Rereading America, 345). The market forces and structures that keep the media corporations in place also prevent any real change from occurring in how the public views itself and its place in the class hierarchy. The media “elite” are part of the haves and the consumers are part of the have-nots and therefore these companies have a vested interest in keeping things the way they are. Kendall shows how not only is the power structure in America still imbalanced, the average American apparently is duped into unquestioningly supporting that inequality.</p>
<p>For African-Americans, the Confederate flag is a constant reminder of government-sanctioned slavery and racial discrimination and more than just a sensitive, liberal issue of political correctness. Commemorative Confederate veterans groups may argue in the courts the use of the Stars and Bars in public spaces is not meant as an advocacy of slavery or treason; it’s just a way to honor past sacrifices during the Civil War. But the same argument could be made for flags bearing the Nazi swastika and yet those would be rightly laughed out of court. Despite the fact that there were southerners who knew that slavery was a dying and embarrassing institution, the South was fighting to defend their right to make their own decisions; in this case, the right to make bad decisions (let alone that African-Americans were denied this same right). So the Confederate flag really stands for a mindset that subjected millions of people to a brutally demeaning existence that too often ended in murder.</p>
<p>Wars, particularly civil wars, are bloody, messy events that completely transform nations and usually in unforeseen and unavoidable ways. What was thought to be a short conflict stretched into an excruciating four-year-long war, killing over 1.5 million Americans. Armies and warfare are not precise surgical instruments. They are blunt and traumatic tools for destruction that governments use to force a resolution, hopefully, when all diplomatic and levelheaded measures have failed to resolve a conflict. The aftermath of a war is not necessarily determined by the combat itself, at least not directly. How a peace is brought to be also greatly determines the result. Sadly, despite the fact that the North prevailed, thanks to the ruthless efforts of General Ulysses S. Grant and others, shortly after the end of the Civil War, the southern malcontent John Wilkes Booth assassinated president Lincoln.</p>
<p>Abraham Lincoln’s assassination ruined any possibility for the period after the war that came to be known as Reconstruction, to be the compassionate rebuilding of the South that it should have been. Even halfway through the Civil War, Lincoln had begun to give much thought to healing the wounds of the country in the post-war period to come, knowing it to be a necessity. But without his guidance and incredible compassion, Reconstruction became a humiliatingly corrupt decade or two during which southerners were both mistreated as well as given unjust license to nullify the gains made by and for newly freed African-Americans. Despite the passage of the Emancipation Proclamation, it would be another hundred years before the United States would see the end of Jim Crow laws that blatantly discriminated against African-Americans. Some still ridiculously insist that government affirmative action laws amount to reverse racism.</p>
<p>This humiliation led to the glorification of the South as a romantic, tragic and misunderstood victim. Since then, our popular media has depicted the “former Confederate” as a heroic figure. Many western films feature a former Confederate as the misunderstood outlaw, a maverick who bucks an evil system. John Ford’s THE SEARCHERS has John Wayne portraying a violent and angry ex-Confederate soldier and the tragic hero of that film. In Clint Eastwood’s THE OUTLAW JOSEY WALES Eastwood plays the titular character who joins a Confederate-leaning band of raiders to avenge his family who has been massacred by Union forces. The most glamorous and fawning example would have to be the film adaptation of Margaret Mitchell’s GONE WITH THE WIND starring Vivien Leigh and Clark Gable. Dixie is held in high regard, with little thought given to what that means. The <em>gentility</em> of the God-fearing Christian southerners is taken as a matter of course. But few of these notions were true or valid. In contrast, neither Germany nor Japan was humiliated in the same way as the South was (Japan’s cultural humiliation more about national dishonor and not inflicted upon them by the allied countries). As <a href="http://en.wikipedia.org/wiki/United_States_Secretary_of_State">Secretary of State</a> <a href="http://en.wikipedia.org/wiki/George_Marshall">George Marshall</a> said in an address on June 5, 1947 regarding the plan named after him, intended as the rebuilding of war-torn Europe, “Our policy is not directed against any country, but against hunger, poverty, desperation and chaos.” That focus prevented the creation of a mythical victim status of the defeated Nazis of Germany or the Fascists in Japan and Italy or those who fought for that side (some people nevertheless see it this way).</p>
<p>Perhaps for this reason few people seem to realize that the political strife we’re dealing with in the 21<sup>st</sup> Century is directly related to the argument that was never totally settled and definitely not healed in the 19<sup>th</sup> Century. Despite Lincoln’s publication of his Amnesty and Reconstruction proclamation, that sought to open the way for the seceded states to rejoin the Union easily and quickly, Jefferson Davis asked the Confederate Congress, “Have we not been apprised by that despot that we can only expect his gracious pardon by emancipating all our slaves, swearing obedience to him and his proclamation, and becoming in point of fact the slaves of our own Negroes?” To Davis, the notion that <em>their slaves</em> could be freed only meant that southerners would of course suffer subjugation and revenge as retaliation. Apparently <em>live and let live</em> never occurred to him, at least not as it related to African-Americans. So, even though the Civil War ended, the resistance to treating African-Americans as humans and equals continued and was fueled by irrational fear.</p>
<p>Recently, a news item appeared that was meant as comic relief, showing the funniest photographs from recent Townhall protests. One photograph shows a sarcastic individual in the midst of the actual protesters holding up a sign that reads, “We have NO IDEA what we’re talking about.” The sign also has arrows scrawled on it, pointing to the various protesters around him. This photo shows something that is very telling. On the far left margin of the photograph is what looks like a typical Anglo-American male who is not at risk of starving or want for nourishment, wearing a t-shirt with the “Stars and Bars” emblazoned across his chest. This man holds a sign that reads “Abolish Federal Government.” This man is the embodiment of the notion of “The South will rise again,” and he clearly seems to mean what his sign says, that he is against the federal system despite the fact that the Union supposedly prevailed in that war a hundred and forty-four years ago. What would motivate this man to articulate such a clearly dated notion if not the same irrational fear that prevailed before, during and after the Civil War, that accountability takes away liberty?</p>
<p>The myth that is at the heart of this issue is the idea that the South was not so much in error as it was greatly misunderstood and therefore the true victim. Concerned with its own profit and pleasure, the South perpetrated one of the worst crimes committed against a group of humans in world history right here in the United States of America. The question of whether the Stars and Bars is a quaint historic memento or a racist symbol is kept from being resolved by the notion of States’ Rights. That’s the legal fiction that motivated the southern states to secede from the Union in so-called democratic protest to protect their sovereignty. But that notion continues to persist in many ways, and it’s always used to slow down the progress of civil rights rather than promoting them. Same-sex marriage is an argument for protection of a civil right that is being allowed to be drawn out tortuously even though on a federal level we protect other civil rights as a matter of course. For example, this country has managed to make it the law of the land that we care enough about our disabled and our elderly to offer them the first few seats in all of our public transportation across the land. It is federal law that all restaurant employees do something as basic for the greater good as wash their hands after using the restroom. Why can’t we come to a similarly clear and simple consensus that all loving couples should have the legal protection of marriage or that healthcare should be every American’s right and not a luxury? Because we have an unacknowledged undercurrent of dissension and dissatisfaction that is fed by ignorance and irrational fear. That fear is really a refusal to accept civil accountability as part of our liberty. When everyone is in one boat, no one can decide not to row or bail water or hoist sails out of a sense of sovereignty or States’ Rights. Instead, what becomes apparent is that the Greater Good is also everyone’s individual good.</p>
<p>In his essay “What is Marriage?”<em> </em>Evan Wolfson cites how the U.S. Supreme Court in the case Turner v. Safley had to first define what marriage is before they could come to a decision. Their determination was that there are four attributes that make up marriage, which also had legal weight when viewed through the lens of the U.S. Constitution. But none of those attributes referred to the sex of the people wanting to get married. And yet, this country continues to deny gay people the 1,138 rights and protections that married couples enjoy. It is the concept of States’ Rights that is used as the loophole or the backdoor that allows such a basic human right to be kicked down the road and delayed. The same could be said about current efforts to reform healthcare in the U.S. Some legislators want to give the individual states the ability to <em>opt in</em> or <em>opt out</em> of whatever the new federal law will mandate, as if health were an <em>option </em>for people. Sadly, some of the most vociferous opponents of healthcare reform are the very same poor, white workers who need it the most.</p>
<p>The same issue that keeps the Stars and Bars firmly planted in our country’s popular culture is also keeping us from healing our many wounds and moving forward in a concerted way that cares for all Americans, not just those who <em>think</em> they’re right. The sooner we put this notion of States’ Rights to sleep the sooner we’ll be able to transcend the divisions that continue to plague our country and finally end the Civil War. Then we will have come one step closer to achieving the promise of this Great Experiment we call as the United States of America.</p>
<p style="text-align: center;">Works Cited</p>
<p>Kendall, Diana “Framing Class, Vicarious Living and Conspicuous Consumption.” <span style="text-decoration: underline;">Rereading America</span>. 2007 Gary Colombo, Robert Cullen, Bonnie Lisle, Bedford Books/St. Martin&#8217;s Press</p>
<p>Wolfson, Evan “What is Marriage?” <span style="text-decoration: underline;">Rereading America</span>. 2007 Gary Colombo, Robert Cullen, Bonnie Lisle, Bedford Books/St. Martin&#8217;s Press</p>
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		<title>The TrubyPhiles</title>
		<link>http://www.meltoncartes.com/2009/06/the-trubyphiles/</link>
		<comments>http://www.meltoncartes.com/2009/06/the-trubyphiles/#comments</comments>
		<pubDate>Wed, 17 Jun 2009 23:46:51 +0000</pubDate>
		<dc:creator>Melton Cartes</dc:creator>
				<category><![CDATA[Screenplays]]></category>

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		<description><![CDATA[I&#8217;ve recently rewritten my latest script BLUNT FORCE and blogged about it at The TrubyPhiles. Check it out.
As I recount there, I recently found and read John Truby&#8217;s book, The Anatomy of Story and not only did I love it, I wanted to do a combination &#8220;product demo&#8221; and book review of it. Years ago [...]]]></description>
			<content:encoded><![CDATA[<p>I&#8217;ve recently rewritten my latest script BLUNT FORCE and blogged about it at <a href="http://thetrubyphiles.wordpress.com/">The TrubyPhiles</a>. Check it out.</p>
<p>As I recount there, I recently found and read John Truby&#8217;s book, <a href="http://www.amazon.com/Anatomy-Story-Becoming-Master-Storyteller/dp/0865479933/ref=pd_bbs_sr_1?ie=UTF8&#038;s=books&#038;qid=1240108999&#038;sr=8-1">The Anatomy of Story</a> and not only did I love it, I wanted to do a combination &#8220;product demo&#8221; and book review of it. Years ago I took <a href="http://www.truby.com">Truby&#8217;s</a> Classic Story Structure as well as Action screenwriting classes and used them to great effect in my subsequent writing. I believe that John Truby&#8217;s work is far superior in detail, clarity and flexibility to that of Robert McKee, Syd Field, or any of the other screenwriting gurus out there.</p>
<p>So, I took the occasion of doing my third rewrite of BLUNT FORCE as a way of putting to work what John writes about in his book, chapter by chapter. The TrubyPhiles (<a href="http://thetrubyphiles.wordpress.com/">http://thetrubyphiles.wordpress.com/</a>) is also intended as a clubhouse where other graduates of Truby&#8217;s classes, or folks avidly interested in becoming working writers, can share comments and questions related to the art and science of storytelling.</p>
<p>Please check it out and say hello!</p>
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		<title>Germart Rocks&#8230; or Funks&#8230;</title>
		<link>http://www.meltoncartes.com/2009/05/germart-rocks-or-funks/</link>
		<comments>http://www.meltoncartes.com/2009/05/germart-rocks-or-funks/#comments</comments>
		<pubDate>Sat, 02 May 2009 02:52:08 +0000</pubDate>
		<dc:creator>Melton Cartes</dc:creator>
				<category><![CDATA[News&Views]]></category>

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		<description><![CDATA[&#8230;or whatever it is they&#8217;re playing. On Germart&#8217;s newest CD, Planet Booty, the Germick brothers funk it up from the roof beams to the floorboards!
Check out their introductory infomercial, Recipe for Success. If you feel as successful after viewing it as I did, I recommend that you go to the original YouTube page and rate [...]]]></description>
			<content:encoded><![CDATA[<p>&#8230;or whatever it is they&#8217;re playing. On Germart&#8217;s newest CD, <a href="http://germart.org/?page_id=81">Planet Booty</a>, the Germick brothers funk it up from the roof beams to the floorboards!</p>
<p>Check out their introductory infomercial, <a href="http://www.youtube.com/watch?v=CU-10XxNxHI&amp;eurl=http%3A%2F%2Fgermart%2Eorg%2F&amp;feature=player_embedded">Recipe for Success</a>. If you feel as successful after viewing it as I did, I recommend that you go to the original YouTube page and rate it!</p>
<p><p><a href="http://www.meltoncartes.com/2009/05/germart-rocks-or-funks/"><em>Click here to view the embedded video.</em></a></p></p>
<p>Clearly, the Germick brothers, Ryan, Nathan and Dylan, and their global multimedia conglomerate <a href="http://germart.org">Germart.org</a>, are awesome.</p>
<p>If you dig this, tell your friends to check this out here, or at <a href="http://germart.org">Germart.org</a> or on their Facebook <a href="http://www.facebook.com/pages/Germart/9483389125?ref=ts">page</a> and then they can &#8220;ride that booty good&#8221; too.</p>
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		<title>BLUNT FORCE— Action</title>
		<link>http://www.meltoncartes.com/2008/12/blunt-force%e2%80%94-action/</link>
		<comments>http://www.meltoncartes.com/2008/12/blunt-force%e2%80%94-action/#comments</comments>
		<pubDate>Sat, 06 Dec 2008 04:39:07 +0000</pubDate>
		<dc:creator>Melton Cartes</dc:creator>
				<category><![CDATA[Action]]></category>
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		<category><![CDATA[Iraq War]]></category>
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		<description><![CDATA[BLUNT FORCE— Action
By Melton Eduardo Cartes
A young woman fights a multinational private security corporation to rescue her kidnapped fiancé, only to realize that instead of an evil conspiracy, she is battling with the results of a life’s worth of psychological trauma.
]]></description>
			<content:encoded><![CDATA[<p>BLUNT FORCE— Action<br />
By Melton Eduardo Cartes<br />
A young woman fights a multinational private security corporation to rescue her kidnapped fiancé, only to realize that instead of an evil conspiracy, she is battling with the results of a life’s worth of psychological trauma.</p>
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		<title>HOME OF THE BRAVE— Action/Adventure</title>
		<link>http://www.meltoncartes.com/2008/12/home-of-the-brave%e2%80%94-actionadventure/</link>
		<comments>http://www.meltoncartes.com/2008/12/home-of-the-brave%e2%80%94-actionadventure/#comments</comments>
		<pubDate>Sat, 06 Dec 2008 01:50:51 +0000</pubDate>
		<dc:creator>Melton Cartes</dc:creator>
				<category><![CDATA[Action]]></category>
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		<category><![CDATA[domestic terrorism]]></category>
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		<category><![CDATA[militia]]></category>
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		<guid isPermaLink="false">http://www.meltoncartes.com/?p=216</guid>
		<description><![CDATA[HOME OF THE BRAVE— Action/Adventure
By Melton Eduardo Cartes
1999 Semifinalist — Nicholl Fellowships
2002 Second Rounder — Austin Heart of Film Screenwriting Conference 
Recognizing his former partner in a bank robbery a cavalier FBI agent tries to stop him and the militia behind it only to discover their greater threat to the area’s three dams and the [...]]]></description>
			<content:encoded><![CDATA[<p>HOME OF THE BRAVE— Action/Adventure<br />
By Melton Eduardo Cartes<br />
<strong>1999 Semifinalist — Nicholl Fellowships</strong><br />
<strong>2002 Second Rounder — Austin Heart of Film Screenwriting Conference </strong><br />
Recognizing his former partner in a bank robbery a cavalier FBI agent tries to stop him and the militia behind it only to discover their greater threat to the area’s three dams and the real reason behind his partner’s involvement.</p>
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		<title>PARABELLUM— Western</title>
		<link>http://www.meltoncartes.com/2008/12/parabellum%e2%80%94-western/</link>
		<comments>http://www.meltoncartes.com/2008/12/parabellum%e2%80%94-western/#comments</comments>
		<pubDate>Sat, 06 Dec 2008 01:45:47 +0000</pubDate>
		<dc:creator>Melton Cartes</dc:creator>
				<category><![CDATA[Screenplays]]></category>
		<category><![CDATA[Western]]></category>
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		<description><![CDATA[By Melton Eduardo Cartes
2002 Second Rounder — Austin Heart of Film Screenwriting Conference
The Civil War continues for two men during Reconstruction when a Confederate soldier who has become a bandit learns that the Federal Marshal hunting him is his brother.
]]></description>
			<content:encoded><![CDATA[<p>By Melton Eduardo Cartes<br />
<strong>2002 Second Rounder — Austin Heart of Film Screenwriting Conference</strong><br />
The Civil War continues for two men during Reconstruction when a Confederate soldier who has become a bandit learns that the Federal Marshal hunting him is his brother.</p>
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		<title>OXYGEN WARS— Sci-Fi</title>
		<link>http://www.meltoncartes.com/2008/12/oxygen-wars%e2%80%94-sci-fi/</link>
		<comments>http://www.meltoncartes.com/2008/12/oxygen-wars%e2%80%94-sci-fi/#comments</comments>
		<pubDate>Sat, 06 Dec 2008 01:45:14 +0000</pubDate>
		<dc:creator>Melton Cartes</dc:creator>
				<category><![CDATA[Science-Fiction]]></category>
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		<description><![CDATA[OXYGEN WARS— Sci-Fi
By Melton Eduardo Cartes
2001 Second Rounder — Austin Heart of Film Screenwriting Conference
After surviving serious injuries, a clone soldier gets left out of the war he’s a part of and rediscovers his humanity as well as the truth behind the war.
]]></description>
			<content:encoded><![CDATA[<p>OXYGEN WARS— Sci-Fi<br />
By Melton Eduardo Cartes<br />
<strong>2001 Second Rounder — Austin Heart of Film Screenwriting Conference</strong><br />
After surviving serious injuries, a clone soldier gets left out of the war he’s a part of and rediscovers his humanity as well as the truth behind the war.</p>
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		<title>CONTROL HOME— Sci-Fi</title>
		<link>http://www.meltoncartes.com/2008/12/control-home%e2%80%94-sci-fi/</link>
		<comments>http://www.meltoncartes.com/2008/12/control-home%e2%80%94-sci-fi/#comments</comments>
		<pubDate>Sat, 06 Dec 2008 01:44:55 +0000</pubDate>
		<dc:creator>Melton Cartes</dc:creator>
				<category><![CDATA[Science-Fiction]]></category>
		<category><![CDATA[Screenplays]]></category>
		<category><![CDATA[bounty hunting]]></category>
		<category><![CDATA[human transplants]]></category>
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		<category><![CDATA[surgeries]]></category>

		<guid isPermaLink="false">http://www.meltoncartes.com/?p=209</guid>
		<description><![CDATA[CONTROL HOME— Sci-Fi
By Daniel Merritt and Melton Eduardo Cartes
1999 Semifinalist — Austin Heart of Film Screenwriting Conference
A bounty hunter on the trail of an organ scam artist comes to realize that he may have found the man who has his original hands.
]]></description>
			<content:encoded><![CDATA[<p>CONTROL HOME— Sci-Fi<br />
By Daniel Merritt and Melton Eduardo Cartes<br />
<strong>1999 Semifinalist — Austin Heart of Film Screenwriting Conference</strong><br />
A bounty hunter on the trail of an organ scam artist comes to realize that he may have found the man who has his original hands.</p>
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